A personal account of a journey that speaks of the reality of dispersion. Through ‘Nostalgia’, Cairo-born Sudanese diaspora artist Amado Alfadni unravels an intimate visual archive, representing the various seeds that nurtured his once estranged black identity.
The lack of discourse on the foundations of black identity in young Amado’s life outside of his family home paralleled the conventional views surrounding the African and Sudanese diaspora in Egypt, which naturally evoked a subtle sense of longing inside him that made itself prominent as his identity got progressively influenced by projections of black culture in general, and Sudanese culture in particular, found in his family home, Bab El-louk area, opera square, and Dar Al-Sudan
FAMLIY PORTRAIT
50 x 70 cm
Photo transfer and
monotype on paper
2022
FAMLIY 2
50 x 70 cm
Photo transfer and
monotype on paper
2022
FAMLIY 3
50 x 70 cm
Photo transfer and
monotype on paper
2022
FAMLIY 4
50 x 70 cm
Photo transfer and
monotype on paper
2022
Home
Looking out the balcony of his family home, Amado was continuously greeted by an enchanting juxtaposition of the huge billboards of famous brands engulfing the small hand-painted signs of the local dry-cleaner or baker. The images of Sednawy, Omar Efendi, and Nabolsi Shaheen were markers of the cosmopolitan Cairo that made Alfadni’s home feel like a Sudanese shrine decorated with old family pictures and postage stamps.
JET 1
30 x 42 cm
Photo transfer and
monotype on paper
2022
JET 2
30 x 42 cm
Photo transfer and
monotype on paper
2022
JET 3
30 x 42 cm
Photo transfer and
monotype on paper
2022
JET 4
30 x 42 cm
Photo transfer and
monotype on paper
2022
Bab El-louk area
Afro-American TV shows, like ‘The Fresh Prince of BelAir’ and ‘The Bill Cosby Show’, planted the seedlings of the black identity in young Amado’s mind. But as an adolescent, he wandered around Bab El-louk where his middle school was situated, till the neighboring streets of the American University’s old campus revealed an oasis filled with books, magazines, and cassette tapes that once belonged to the students of different cultural background that occupied the university’s dorms. These various forms of cultural expression familiarized Alfadni with how the African diaspora experience their identity individually and as a collective.
SHARHABEEL
30 x 42 cm
Photo transfer and
monotype on paper
2022
EL BALABEL
30 x 42 cm
Photo transfer and
monotype on paper
2022
EL BALABEL 1
30 x 42 cm
Photo transfer and
monotype on paper
2022
SAWT EL FAN
30 x 42 cm
Photo transfer and
monotype on paper
2022
Opera Square
Among the noise and blaring lights of Cairo’s opera square, laid a small cassette tape shop that Amado frequented to get his fix of Sudanese culture. There he spent hours browsing through the various collections of music recorded in both Egypt and Sudan, and mirrored a diverse Sudan that was only made apparent to Alfadni through the-sometimes-Arabic-and-sometimes-western melodies. With no way to gauge the content of each tape, Alfadni found himself examining their unique covers as if gazing through a looking glass, and adding them to his self-made repository.
ONE KING THREE QUEENS
30 x 42 cm
Photo transfer and
monotype on paper
2022
THE VISIT
30 x 42 cm
Photo transfer and
monotype on paper
2022
KHALIFA OMAR
30 x 42 cm
Photo transfer and
monotype on paper
2022
MALCOLM X
30 x 42 cm
Photo transfer and
monotype on paper
2022
VISIT THE SUDAN 1
30 x 42 cm
Photo transfer and
monotype on paper
2022
THE WHITE NILE
30 x 42 cm
Photo transfer and
monotype on paper
2022
VISIT THE SUDAN 2
30 x 42 cm
Photo transfer and
monotype on paper
2022
OMO
30 x 42 cm
Photo transfer and
monotype on paper
2022
Dar Al-Sudan
Within the hallways of Dar Al-Sudan, a community center where individuals of the Sudanese community residing in Egypt spent nights chatting or bantering over a game of pool, Alfadni found himself roaming the different rooms and absorbing images of a Sudan he didn’t know existed. The library in particular offered him a vast registry of books and magazines conveying narratives placing figures from his homeland in the forefront.
Through photo transfer and monoprint, techniques which Alfadni has been capitalizing on since 2011, “Nostalgia” introspects the visual markers that profoundly influenced his perception of his black identity, unraveling layers upon layers of memories that still affect the artist -as well as his technique- to this very day.
